St Martin in the Field
St Martin In The Fields is not only the most well known of the parish churches in London, it is probably one of the best known in the world. Thanks to its position overlooking Trafalgar Square, it has appeared in countless paintings and photographs, and its orchestra - the Academy of St Martins - has received global acclaim. Ironically, the building was once concealed from view in St Martins Lane. Only the clearing of the area to the southeast for the construction of Trafalgar Square in 1820 afforded the church its famous vista and prominent position. Although the Oranges and Lemons rhyme 'you owe me five farthings' may refer to the City church of St Martin Orgar ( of which nothing remains but a tower), it is this baroque church in Central London that is the one everybody thinks of. It is believed that the present St Martin is the fourth building on the site. The earliest recorded mention came in 1222, when the Abbot of Westminster disputed the Bishop of London's authority over the church. The Archbishop of Canterbury mediated and decided in favour of the Abbot, so St Martin was probably used by monks from Westminster until 1542, when Henry VIII built a church which was added to in 1609 by Prince Henry, brother of the future Charles I (who was christened here).
In the seventeenth century, with the nearby Whitehall Palace in full use, St Martin became the parish church of the Court, and started to receive notable Jacobean interments. In 1615, Anne Turner was laid to rest here. A Court dressmaker, she had been involved in one of the greatest scandals of James I's court. Sir Thomas Overbury had been poisoned by his enemy, the unstable Frances Howard Countess of Essex, and it had been Anne who had delivered the fatal potion. She was hanged for her troubles. Four years later, St Martin hosted the funeral of the celebrated Nicholas Hilliard, the first true painter of miniatures. Some of his work can be found in the National Portrait Gallery, adjacent to the church.
Following the Restoration, Whitehall resumed its place as the centre of Court. John Taylor, Thames boatman celebrated as the 'Water Poet', was buried here in 1654. Nell Gwynn, actress and probably the most celebrated Royal Mistress in British history, was laid to rest in the chancel following a fatal stroke (1687), and the renowned philosopher /scientist Robert Boyle found his resting place here in 1691. Other notable actors interred here include John Lacy in 1681, Susannah Mountfort Verbruggen in 1703 and her husband John Verbruggen five years later. The artist Thomas Manby was buried in 1695, and the playwright George Farquhar in 1707.
In 1721 the architect James Gibb designed a replacement for the Tudor building. It was consecrated in 1726 and, as the church that stands to this day, has proved extremely influential. Its style has been copied many times since, even abroad in Ireland and North America. However, it was not universally acclaimed at the time; the architect John Gwynn complained that 'the absurd rustication of the windows, and the heavy sills and trusses under them, are unpardonable blemishes'.
People of repute continued to find their way into the churchyard, notably the highwayman and multiple prison escapee Jack Sheppard (1724), Louis Roubiliac the sculptor (1762), Thomas Chippendale the furniture maker (1779) and Dr John Hunter, the pioneer of modern surgery ( 1793). New catacombs were constructed around St Martin's when Duncannon Street was installed as part of John Nash's re-ordering of London, and coffins were exhumed from the yard and removed to the catacombs. They were, for a time, open as a somewhat macabre tourist attraction. In the 1850's, when London churchyards were closed to further burials, Hunter was transferred to Westminster Abbey, but most coffins were transferred to cemeteries outside London, such as the St Martin's extra-parochial ground in Pratt Street, Camden.
The last of the coffins were removed in 1938 to Brookwood in Surrey. The catacombs and the crypt beneath the church serve a variety of purposes, such as the popular 'Cafe In The Crypt', a centre for relief of the homeless, the London Brass Rubbing Centre, a bookshop and a gallery.
From whatever angle the visitor approaches St Martin, one cannot fail to be impressed by its sheer presence. In an area also containing the NPG, Trafalgar Square and the English National Opera House, the church more than holds its own. The facade is one of the best in London. A pediment displaying the Royal Arms of George I ( the only monarch to be a churchwarden of St Martin) is supported by a row of large, solid Corinthian columns. Above the pediment the tower soars, its steeple topped with a gilt crown.
The interior is scarcely less impressive. Columns rise from the galleries to support the barrel-vaulted ceiling, and the ceiling of the chancel is resplendent with gilding. The church has an box pew for the Admiralty (who, at one time, worshipped at St Olaves Hart Street) and it is festooned with the Royal Navy White Ensign and the flag of the Admiralty Board. Based in Whitehall, the Admiralty falls within the parish boundaries and the bells are traditionally rung on the occasion of Naval victories. In the north aisle is a portrait of the architect Gibb. Originally the church owned a bust of Gibb, by Rysbrack, but this is now in the V&A Museum. This year (2004) is the 250th anniversary of Gibb's death and the church has been commemorating him.
Perhaps the most welcome aspect of the interior, in my experience, is that it is truly a haven of peace. I visited during the weekend of the Chinese New Year. Trafalgar and Leicester Squares were holding thousands of visitors, the roads between a constant flow of movement... but I took a few paces away from the bustle, stepped into the cool interior of St Martin and spent a while walking around the nave with admiration. The drums and whistles of the celebration, only a stone's throw away, were muted and unintrusive. I sat on a pew and contemplated the irony that the mighty plaza across the road, with its four stone lions and its soaring monument to our greatest naval hero, is not the real historic gem of this corner of the cityscape...
with thanks to churchwarden Mr Jeff Claxton for further information
Author Mark McManus
Temple Church
The Knights Templar were an order of warrior monks who were founded in Jerusalem following the First Crusade, their headquarters on the site of Solomon's Temple. They built smaller Temples in many of Europe's capital cities, their original London site being at High Holborn. As the Order expanded, they moved to a new site between the Thames and Fleet Street. The Church of the Holy Sepulchre in Jerusalem was a circular building raised over the supposed site of Christs's tomb, and Templar churches followed this design. The London church was consecrated in 1185 by Heraclius, Patriarch of Jerusalem, in the presence of King Henry II. The Marshal family, Earls of Pembroke, were benefactors and several generations were buried in the church, including the 1st Earl who was instrumental in the negotiations that led to Magna Carta. Another effigy visible is that of the East Anglian magnate, Geoffrey de Mandeville.
Henry III favoured the Templars and decided that his mausoleum would be at the church. A large choir was built for this purpose, and consecrated inHenry's presence on Ascension Day 1240. However, upon the King's death in 1272, it was discovered that he had changed his Will, and he was consequently interred at Westminster Abbey.
In 1307, after machinations between the Pope and Philip IV of France, the Knights Templar were suppressed. Edward II took control of the church and gave it to that other crusading Order, the Knights Hospitaller. In turn, the Hospitallers rented the Temple to a pair of lawyer colleges who needed a base in London. Later becoming known as the Inner and Middle Temple, these groups use the church as their chapel to this day. The Hospitallers, in turn, were abolished by Henry VIII and the building became a 'royal peculiar', i.e. a church under direct control of the monarch. The King himself appointed a priest, who was known as 'Master of the Temple'.
In 1585, the second Master died and his deputy Walter Travers was passed over for promotion because of his Calvinist views. Richard Hooker of Exeter College Oxford was appointed instead, but the aggrieved Travers had his day: Hooker would preach on Sunday mornings and Travers would contradict him in the afternoon sermon! This became known as the 'Battle of the Pulpit'.
In 1608, James I granted a Royal Charter to the two Inns of Court, giving them perpetual use of the Temple so long as they kept up its maintenance; this Charter is still in force today. The jurist, antiquarian and legal writer John Selden, whose library occupies the 'Selden End' of the Bodleian Library, was buried in the church in 1654.
Although it escaped the Great Fire, the church was restored by Wren who also designed the reredos. An organ was installed for the first time and, between 1729 and 1814, both Inns of Court appointed their own organists who played on alternate Sundays. An 1841 restoration by Smirke and Burton saw the building being decorated in Victorian Gothic style, Wren's reredos being removed and a singing choir of men and boys introduced. The round church received a 'pepperpot' roof.
Incendiary bombs wrought havoc on 10th May 1941, destroying all the wood in the church. Restoration by Walter and Emil Godfrey was slow, the choir rededicated in 1954 and the round church in 1958. By good fortune, the Wren reredos - removed over a century before - was able to be restored to the church after spending the intervening years in a museum in County Durham.
Temple Church can be reached from an alley leading from Fleet Street, opposite the lantern-towered church of St Dunstan In The West and below Prince Henry's Room, currently in use as a Samuel Pepys museum. The alley opens into an open plaza, surrounded by the buildings of the Inns of Court, towering over the church. The churchyard is paved but still contains a handful of Crusader tombs and, in a quiet corner, a tomb bearing the simple epitaph 'Here lies Oliver Goldsmith'. A friend of Samuel Johnson and part of the same intellectual circle, Goldsmith was a poet (The Deserted Village), a novelist (The Vicar of Wakefield) and a playwright (She Stoops To Conquer). The nearby barristers' Chambers called Goldsmith Building boasts, at its entrance, a list of tenants including one 'Horace Rumpole'. On the other side of the church, in the plaza, is a column topped by a model of two knights sharing a horse - the symbol of the Knights Templar.
Visitors enter the church through the south door, with the round church to the left and the large choir to the right. Easily missed, next to the Visitor Desk, is a glass panel in the floor, protecting and displaying the sunken gravestone of Selden.
The round church resembles a Chapter House, with alcoves and a seating mantle. Between the alcoves can be found humorous gargoyles, and above is a triforium. The medieval effigies, most with the crossed legs that signify their Crusader status, were laid out here during the 1841 restoration.
The dark marble of the church's columns contrast pleasantly with the lighter hues of the walls and the fan-vaulted ceiling. Pews and pupit are plain, but the stained glass windows above Wren's reredos are a riot of colour, and are flanked by similar windows. As well as religious symbolism, the windows also contain plenty of Templar references: the two needy knights sharing a horse; images of Pegasus (whose inclusion alludes to a manuscript in which the former symbol was misinterpreted as the winged horse of Greek legend); a portarayal of the church, complete with the pepperpot roof not restored after 1941; images of Crusaders with the motto 'Beausean'. The window was a 1954 gift from the Glazier's Company, and was designed by Carl Edwards.
Two intriguing effigies can be found in the choir. The first is the ornate effigy of Edmund Plowden, a benefactor of the Middle Temple described as having 'great gravity, knowledge and integrity'. The other effigy is that of an unknown bishop, traditionally that of Heraclius, but more probably a Bishop of Carlisle who died while visiting.
Today the church is popular with visitors, due to its history, architecture, and more recently its brief inclusion in Dan Brown's popular conspiracy novel 'The Da Vinci Code'. The strong connection with the legal industry remains, and members of the Inns of Court continue to wed in the church and have their children baptised there. As a comparison to another well-known Templar site, this is no Rosslyn, but enough exists to intrigue the casual visitor or conspiracy theorist!
Author Mark McManus
Tags: church, da vinci, london, templars